In the wake of Dan Brown's The Da Vinci Code some Christian clergy and writers have attacked the hypothesis that Jesus was married, declaring that "there is no evidence" that Christ and the Mary called "Magdalene" had an intimate relationship. These "guardians of the walls" are intent on preserving a tradition handed down for two millennia for which there is no Scriptural evidence.
A preponderance of the evidence from the Judeo-Christain Scriptures, including the Gospels themselves, supports rather than denies the claim that Jesus was married. Starbird's books make that evidence available and were a major source Dan Brown's runaway best-selling novel. They reclaim the Sacred Partnership that was at the heart of the Christian story, sadly denied by Church fathers of later generations. The "Fathers" may have lost the Bride by accident, but they continuing to enforce her 2000-year exile with intent.
Margaret Starbird's new book reveals the many faces of Mary Magdalene, examining in greater depth the question, "Who do we say that she is?" Here we focus on historical, symbolic, and mythological interpretations of the "Lost Bride" of the Christian story, attempting to restore her to the preeminent position she once held as the intimate and most favored companion of Jesus. We now recognize the "Sacred Bridegroom/King" sacrificed for his people; how can we fail to celebrate his beloved Bride--the Mary called "the Tower"--the Magdalene?
Capitalizing on the success of her bestseller The Woman with the Alabaster Jar (which was plugged in The Da Vinci Code), Starbird revisits the Mary Magdalene myth, hoping to separate truth from fiction, and from all-out fallacy. In an effort to reclaim Mary as the exiled Bride, and to reassert belief in the ultimate sacred union of Mary and Jesus, of "God incarnate in flesh, both male and female," she provides a suggestive if somewhat muddled argument. One of the most intriguing stories comes via a second-century prayer rug that seems to support the Grail legend in which the exiled family (namely Mary, her sister and possibly a daughter of Jesus) escaped from Palestine in a tiny boat. Explorations of Sarah the Egyptian, the Merovingian fish as well as Isis reveal logical connections to various Mary stories. Moreover, references to artistic depictions of the Magdalene illustrate the historic symbolism long associated not only with Mary but with Christianity itself. After 30 years of studying the Magdalene stories, no one can fault the author's dedication. Unfortunately, she is distractingly unsure of her audience, and few outside academia will find this as captivating a read as it could have been. The book includes an hour-long audio CD of the author's presentation on the sacred intimacy between Jesus and Mary Magdalene. (Nov.)
Contains 24 color plates including fine art
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