Essential to a fully embodied sense of self is the
vestibular system, a paired set of tiny sensory organs tucked deep into the
temporal bone on either side of the head, right near the cochlea of the inner
ear. The vestibular system isn’t a high-profile, elitist sense like the famed
five of vision, hearing, touch, taste and smell. It’s more of a Joe
Sixth-Sense, laboring in anonymity and frequently misunderstood. [9]
“Three of the
organs are designed to detect twisting movements of the head, by sensing the
discrepancy between the angular momentum of the membranes, which are attached
to the bone, and that of the free-floating fluid, which lags slightly behind.
The other two organs have tiny stones of calcium carbonate, which rise and
fall like flakes in a snowglobe and so detect the effects of gravity and of
linear head motions, if you’re walking forward, for example, or up
stairs.”
Despite its meek
status, the vestibular system has lately won fans among neuroscientists, who
marvel at its sophistication and sensitivity, and how it tells us where we are
and what we’re doing. It is not only crucial for perceptual stability, but it
is also required to produce neural representations of the environment in order
to accurately guide our behavior. Loss of function can produce an imbalance,
which manifests as a dramatic, sudden onset of vertigo. “They praise the
machine-tool precision of its parts, the way the vestibular system discovered
the laws of Newtonian mechanics some 400 million years before Newton and then
put those principles to use to provision the head with little organic
gyroscopes and linear accelerometers.”
As evidence of
the organ’s rising prestige, the first edition of the highly regarded U.S.
college textbook “Sensation and Perception” (Sinauer, 2005) barely
mentioned the vestibular system, but in the new edition that appeared in 2008,
a standalone chapter on the subject closes the book. “I don't want to sound
ungrateful,” said Daniel Merfeld, director of the vestibular physiology lab at
Massachusetts Eye and Ear Infirmary and associate professor at Harvard Medical
School, who wrote the chapter. “I’m just glad to be included
now.”
But if “balance” is indeed our sixth
sense, what’s so psychic about it? In 1991, Martin Lenhardt of the University
of Virginia discovered that people could hear ultrasonic speech, using the
vestibular system as a hearing organ. Ultrasound is sound with a frequency
greater than the upper limit of human hearing. In other words, a new technology bypasses the normal audio
mechanisms used by the body to hear sounds and provides a direct neural
stimulation to the brain.
So outlandish is the concept that humans can have the
hearing range of specialized mammals, such as bats and toothed whales, that
ultrasonic hearing has generally been relegated to the realm of parlor tricks
rather than being considered the subject of scientific inquiry. [10]
The mental
experience of “hearing voices” could consequently prove to be more than just
hallucinations. The validity of ultrasonic hearing has already been clearly
demonstrated by “playing opera” to a deaf subject. In one of the earliest
reports, the experimental work of Dr. Roger Maass performed in 1946 was cited.
“Maass, never credited again for his original discovery, made all the
essential observations in regard to ultrasonic hearing phenomenology.” In
1962, Pat Flanagan was the subject of a Life magazine profile that
described the teenage inventor as a “unique, mature and inquisitive
scientist.”
At 15, Flanagan had already begun to demonstrate the
invention that would change his life: the neurophone. Built in his home
laboratory from wire and brillo pads, the device transmitted audio signals
from a stereo directly into the brain, bypassing the ears entirely. Although
he knew that the sound was somehow being picked up by the wearer's skin and
bone, the exact mechanism would evade the inventor for 33 years.
[11]
Martin Lenhardt finally recreated Flanagan’s findings
in 1991 using ultrasonic signals. He discovered that the saccule, a pea-sized
organ in the inner ear usually associated with balance, is also sensitive to
ultrasonic sound, at last explaining how Flanagan’s invention worked. But
there’s even more to the sixth sense than meets the eye. Some researchers now
equate it with stress, relaxation, and various psychic abilities.
In
1975, Dr. Herbert Benson, argued in “The Relaxation Response” that
prayer and meditation can play a significant role in reducing stress and
hypertension. We now know that the vestibular system plays a critical role in
stabilizing the visual axis (gaze) and maintaining head and body posture
during meditation. The thought of having a third eye or being sealed in the
forehead is a familiar religious idea, sometimes associated with neurons in
the thalamus, amygdala, and cortex of the brain. But it is essentially the
vestibular system of the inner ear that allows us to “balance” the two
hemispheres of our brain and in due course trigger the relaxation response.
“Who hath ears to hear, let him hear.”(Matthew 13:9). Dysfunctions in
the vestibular system can cause stress, anxiety, panic attacks, nausea, and
motion sickness. It is a well known fact that prayer and meditation can
produce a “trance” or altered state of consciousness related to curative
powers, religious ecstasy, and increased visual imagery –– leading to
relaxation and tranquillity.
| Click on the 'NEXT' arrow for page 4 |
 |