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Dr. Petrus Soons has confirmed that it is indeed possible to glean holographic information from photographs of the shroud at the Eindhoven holographic lab in Holland. This he found quite remarkable, as photographs do not usually contain holographic information. In addition, Dr. Soons made the surprising discovery that this three-dimensional holographic information could only be found in the actual image of the body. The images of plants and flowers and the bloodstains also imprinted on the shroud did not contain this information. Thus the process by which the image of the body itself was formed allowed somehow for the record of information in holographic form. Holograms are produced two beams of coherent laser light at right angles to eachother. I propose that the laser light that created this particular hologram was of the utmost coherence possible and that the two beams at right angles define the two dimensional extent of that which I refer to as the Godverse. In two dimensions limitless extent is possible, it is only once three dimensions occur that limit and fixture can begin.
To return to Dr. Soons research, he is also trying to establish if each fiber of the shroud might contain holographic information of the whole image. In his preliminary research he has seen rings on the shroud to suggest that it could indeed be holographic at microscopic level.
According to Dr. Soons another unusual feature of the Shroud image is that no external light source was involved in producing the image: When we look at the Shroud we see what looks like a picture. What to our eyes seems like the highlights, lowlights, and cast shadows of reflected light on a human form is not light at all. It is certainly not light as a camera would detect it, or an artist would see it and translate it to canvas. Technical image analysis reveals no directionality to the implied light of the highlights and shadows. The brightness does not come from any angle. It is not from above or below, nor from the right or the left, nor from the front. The light emerges from within all of the body evenly everywhere at the same time. Thus he concludes that the most probable cause of the image would have been a flash of very short duration, which in some way allowed for distance information to be encoded in the image.3
Giles Carter, an eminent scientist, believes that the image, which is confined to the top-most fibers of the cloth, was caused by an "auto-radiation" effect emanating from inside the cloth.4 Several physicists, including Dr. John Jackson of the Colorado Shroud Center, point to a form of possible columnated radiation as the best explanation for how the image was formed, representing a scorch like appearance (the scorch caused by light versus heat, as the image does not fluoresce). Dr. Thomas Phillips (nuclear physicist at Duke University and formerly with the High Energy Laboratories at Harvard) points to a potential miliburst of radiation (a neutron flux) that could be consistent with the moment of resurrection. Such a miliburst could have caused the purely surface phenomenon of the scorch-like (scorch by light) images and a possible key to the addition of carbon-14 to the cloth. As Dr. Phillips points out: "We never had a Resurrection to study," and more testing can be done to ascertain whether a neutron flux occurred.5
Distinguished particle physicist, Dame Isabel Piczek, has identified the remarkable fact that there seems to be no distortion in the image on the cloth, a distortion that should have resulted from the pressure of the body on the stone floor of the tomb and the inevitable irregularities that would have occurred due to the folds and wrinkles of the wrapping:
"There is a strange dividing element, an interface from which the image is projected up and the image is projected down. The muscles of the body are absolutely not crushed against the stone of the tomb. They are perfect. It means that the body is hovering between the two sides of the shroud. What does that mean? It means that there is absolutely no gravity. The image is absolutely undistorted. Now if you imagine that the cloth was wrinkled, tied, wrapped around the body and all of a sudden you see a perfect image, which is impossible unless the shroud was made absolutely taut, rigidly taut. A heretofore unknown interface acted as an event horizon. The straight, taut linen of the shroud simply was forced to parallel the shape of this powerful interface. The projection, an action at a distance, happens from the surface and limit of this, taking with itself the bas-relief image of the upper and, separately, the underside of the body."
This, "heretofore unknown interface" she says, would have been the result of a "collapsed event horizon," in the center of which, "there is something which science knows as a singularity. This is exactly what started the universe in the Big Bang." Thus, she goes on to say: "We have nothing less in the tomb of Christ than the beginning of a new universe."6
A second ghostly image of a man’s face has been discovered on the back of the linen, according to a report published by London’s Institute of Physics. The back of the shroud has rarely been seen, as it was hidden beneath a piece of cloth sewn on by nuns in 1534, after it had been damaged by fire. But the back surface was exposed during a restoration project in 2002. A professor at Italy’s Padua University, Giulio Fanti, thought he saw a "faint image" in the photographs from this project and decided to investigate it further. Professor Fanti has dismissed claims that the image on the back confirms that the shroud is a fake, with paint soaking from the front to the back: "This is not the case of the Shroud. On both sides, the face image is superficial, involving only the outermost linen fibers," he said. "It is extremely difficult to make a fake with these features."7
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For more information or to purchase Nigel Kerner's newest book, simply click on the title: Grey Aliens and the Harvesting of Souls: The Conspiracy to Genetically Tamper with Humanity
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