These were all designed by Spyros himself. At the October 2007 UFO DATA conference Spyros showed me how he had designed the 'writing' on them and what it said. The wreckage was then manufactured by John Humphreys, Spyros and his brother Peter. He told me that he based it on Greek lettering, a bit of ancient Egyptian stylising and some artistic license. On the main large beam, if translated correctly it reads 'FREEDOM'. Spyros thought this a fitting name for an alien spacecraft. While designing the letters which spell the word 'FREEDOM', Spyros noticed that if the word is turned upside down, the word 'VIDEO' could be seen. He adjusted some of the letters to better facilitate this, so the piece would throw a little red herring into the mix. The translation of the smaller beam is being held back for Spyros's book.

According to Melaris, Ray Santilli was put under a lot of pressure by various parties to arrange an interview with the fictitious cameraman he allegedly bought the film from. Of course according to Melaris there was no such person so he came up with the idea of creating this aspect of the whole affair as well. The basic scenario is that Melaris flew to Los Angeles and met up with Santilli's partner Gary Shoefield. Melaris wanted to find an eighty year old tramp on the streets of L.A. Pay him a few hundred dollars, put him in front of a camera and ask him to read from a script. Santilli and Shoefield were nervous, and not sure this would work but Spyros was confident he could pull this off, and went ahead. He found an old guy living rough on the street, offered him $500 and a night in the hotel and he duly agreed. Again, by pure chance the chap had been an actor many years ago. Melaris took his name and the name of a movie he had appeared in. These details will be released in his book. He cleaned him up, gave him a shave, added a bit of make up and a false prosthetic nose and chin and the job was done. The man himself did not know what he was reading or where it was going to be used. There was little chance that he would see the broadcast either. No one would recognise him in a thousand years. And they never did. This film was delivered in person in New York to US TV producer Bob Kiviat by Gary Shoefield and a man claiming to be the cameraman's son. Eventually the film in question was broadcast on TV in Japan only and from there it was copied and distributed to UFO researchers around the world. The trick worked, no one has identified the man in question, and Melaris claims he is the only one who can do this.

The Crash Site

There are a number of people who believe the alien autopsy film is authentic, not because of the film itself but because of the crash site. Ray Santilli released details, supposedly from his cameraman, as to where the incident took place in the desert. How did this come about? Well, according to Spyros this was quite simple. In l995 he flew to Roswell. Here he interviewed many local people including Loretta Proctor. Mrs. Proctor was the neighbour of rancher Mac Brazel and it was she who suggested that Mac take some of the UFO debris into town after he found it. Spyros also met and hired private pilot Rodney Corn. He asked corn to fly him over the UFO crash site, to which he replied "which one." There are in fact at least three such sites. So, Spyros flew over all three of them, filming as he went. Rodney Corn was able to show Spyros a great deal from the air, far better than would have been possible on foot. This included small dirt roads and long forgotten landmarks. Before the interview took place Spyros also informed me that he obtained both old and new maps of the area. All of this information was handed to Ray Santilli and it was Santilli, not Spyros, who then put it all together to make a location for a nonexistent crash site.

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